New York does not have a shortage of beautiful venues. It has a shortage of honest information about them. Most venue lists are assembled by people who have never worked a wedding day inside the buildings they are describing.
These are the ten luxury wedding venues in NYC I send couples to most often, with what each venue is genuinely like to be married in: how it handles light, where it gets difficult, and the thing about it nobody mentions on the tour. Where I have photographed a wedding there, I say so. Where I have not, I say that too.
NYC Wedding Photography
Inquire NowBuilt into the arches beneath the Queensboro Bridge, Guastavino’s is the rare New York venue that does not need decorating. The tiled vaults do the work. Fifteen thousand square feet under those arches holds 150 guests comfortably and more at a push, and the private garden off the main hall is the part most couples do not know exists until they tour it.
The garden is the part most couples do not know exists until they tour it, and it is the only outdoor space of its kind attached to a hall this size in Midtown East.
See more: a black tie wedding at Guastavino’s and a celestial Jewish celebration.




A 1920s bank on Broadway, and one of the few Midtown ballrooms with genuine scale left in it. The main ballroom runs about 9,000 square feet under a 70-foot ceiling. The stained-glass skylight at the top of the dome is the reason to book it.
The scale is the point here. A 70-foot ceiling over 9,000 square feet means a guest count that would fill most Manhattan ballrooms sits comfortably, and the balcony gives you a second level without needing a second space.





The Villard Mansion courtyard on Madison, with the hotel rising behind it. Gilded age interiors, a short walk from Central Park, and the practical advantage that getting ready, ceremony and reception can all happen without anybody getting into a car.
See more: a summer wedding at the Lotte New York Palace.





55 Wall Street: former Merchants’ Exchange, former Custom House, former headquarters of National City Bank. The main hall sits under a 70-foot Wedgwood dome with the Corinthian columns to match. Cipriani staffs it at roughly one server to every five guests, which is the part guests notice without being able to name.
The ceiling sits so far above the tables that the hall’s own light never reaches anyone’s face. Lighting is a real line on the budget here rather than a nice-to-have, so ask what the venue includes before you price it elsewhere.



The other Cipriani downtown, in the old Cunard Building, where the ticketing hall for transatlantic liners once was. The frescoed and domed ceilings are the draw. It is a more contained space than Wall Street and a different proposition.
Cipriani runs several venues in the city and they are not variations on each other. This one is the old Cunard booking hall, and the frescoed ceiling sits lower and closer than the dome at Wall Street, so it stays in view through the evening rather than only overhead.
See more: Taylor and Andrew at Cipriani 25 Broadway.







On the 72nd floor of One Vanderbilt, above Grand Central. Glass on every side, Manhattan underneath it, and the kitchen is Daniel Boulud’s. It takes weddings, receptions and private dinners. Their own inquiry form starts its budget brackets at $30,000, which tells you what kind of event it is built for.
The whole floor is made almost entirely of window, so the hour decides everything. Before sunset you are competing with the view; after it the city becomes the backdrop. Ask to see it at the time of day your reception would actually be running.


A rooftop above Rockefeller Center looking straight across at St. Patrick’s. Effectively a blank space, partially tented year round, with a reflecting pool and planted borders. You bring the vendors and build what you want.
The tented section is what makes an outdoor wedding here workable rather than a gamble, and it is the first question worth asking at any rooftop in this city: what happens to your plan if the weather turns at four o’clock.
See more: Kristin and Matt’s rooftop celebration at 620 Loft and Garden.




130 Bowery, built in 1893 as the Bowery Savings Bank. Corinthian columns, an art-glass skylight over the main floor, and private rooms upstairs for parties that do not need the whole building.
The ceiling is the whole thing. On a clear afternoon the light comes down through it without any help at all, which is unusual for a space of that size and means the early part of the day costs you nothing in setup. I photographed it empty this spring for the venue, and seeing it with nothing in it is what taught me the frames here want to be dead centre and straight on. The architecture is symmetrical almost to a fault, and off-axis you are fighting the building.




The Stephen A. Schwarzman Building on Fifth. Seven separate event spaces, from Astor Hall’s white marble to the Bartos Forum under its cast-iron and glass dome. Event fees go back into the library’s collections and programmes, which is not nothing.
I have photographed couples at the library, though never a whole wedding there, so treat this as a visitor’s read rather than a working one. Astor Hall is harder than it looks: bright marble with almost no colour in it, which suits some palettes and drains others. Go and stand in it at the hour your ceremony would start.



Fifth Avenue at Central Park South. The Grand Ballroom, the Terrace Room, the Palm Court, the Oak Room. A landmark that needs no introduction from me and books a long way out.
I have photographed couples getting ready at the Plaza and taken portraits in the Palm Court, though I have not shot a full wedding in the building. What I can tell you is that the Palm Court holds the best portrait light in the hotel. The stained-glass ceiling diffuses everything falling through it, and the ivory and gold come out of the camera close to finished.



Guastavino’s, Gotham Hall, Lotte New York Palace, Cipriani Wall Street, Cipriani 25 Broadway, SUMMIT at One Vanderbilt, 620 Loft and Garden, Capitale, the New York Public Library and The Plaza. Each one is a genuinely different kind of evening rather than ten variations on a ballroom.
Very few of these venues publish a price, and the ones that do publish a starting point rather than a total. SUMMIT is unusual in that its own inquiry form opens its budget brackets at $30,000. For everywhere else the number depends on your date, your guest count and what the venue includes before catering, so the only figure worth planning against is the one they put in writing for you.
620 Loft and Garden is built for a smaller count and does not feel empty at one. Capitale has private rooms upstairs that work without taking the main floor. At the Lotte, the Villard Mansion rooms hold an intimate wedding without the ballroom.
620 Loft and Garden is the only genuinely outdoor venue on this list, and it is partially tented. Guastavino’s private garden is the next closest thing.
For a Saturday in peak season at any of these, 12 to 18 months is normal, and the more in-demand dates go earlier than that. If you have a specific venue in mind, that is the thing to lock before anything else, photographer included.
There is no published ranking, because almost none of these venues publish a price. What puts a venue in the top bracket is the combination of a minimum spend rather than a flat rental, in-house catering you cannot shop elsewhere, and a date everybody wants. On that basis Cipriani Wall Street, The Plaza and SUMMIT sit at the top end of this list, and 620 Loft and Garden and Capitale are the ones where a smaller count keeps the total in proportion. Treat any figure you find online as somebody else’s wedding, not a quote.
In practice it is three things rather than a rating: the building is architecturally significant in its own right, the service is in-house rather than brought in, and the venue turns work away rather than taking every booking. Every venue on this list meets all three, which is also why they are booked eighteen months out.
These ten are an intentional shortlist, not a directory. If your priorities point elsewhere, use the guides below to compare venues by neighborhood, guest flow, weather plan, portrait access, and the way the full day will actually work.
Mandarin Oriental, the Central Park Boathouse, the American Museum of Natural History, and other major New York venues may also belong on the list depending on date, guest count, ceremony plans, and access. A venue earns a recommendation from us because the whole wedding day works there, not because it fills another numbered slot.
Ready When You Are
Inquire NowTell me the date and the venue, and I will tell you honestly whether it works.
