A Gotham Hall wedding gives you a room almost nothing else in Midtown can: a 1920s bank with genuine civic scale, a stained-glass dome 70 feet up, and a floor wide enough to hold it. Victoria and Casey were married under that dome, beneath a chuppah built entirely from blossom, and the reception that followed filled the room with crystal candelabras. Gotham Hall is at 1356 Broadway.
Victoria wore a Berta Bridal gown with a low back and a long train, and the wedding party was dressed in black, which against that room reads as deliberate rather than severe.
The black is worth a note. In a room finished in gold and cream, a wedding party in black stops competing with the walls and becomes a shape against them. It is the single easiest decision to get right at a venue like this, and the one most often lost to trying to match the room instead.
Gotham Hall Weddings
Inquire NowVictoria wore a Berta gown with a low back and a long train, and the wedding party was in black. Against a room finished in gold and cream that reads as deliberate rather than severe, and it is the single easiest decision to get right at a venue like this.
The main hall at Gotham Hall runs about 9,000 square feet under a 70-foot ceiling, and the stained-glass skylight at the centre of the dome is the reason to book it. There is more about the building on my Gotham Hall venue guide.
One thing worth planning around: the dome only reads in photographs while there is daylight above it. After sunset it goes dark and the feature disappears for the rest of the night. If the glass is why you are booking the room, keep the ceremony in the earlier half of the day and ask your planner where sunset falls on your date.
The other thing the height does is take your light away. The dome is 70 feet up, so nothing the room provides ever reaches a face at table level. Every photograph here after dark is lit by something somebody paid for, which is why lighting belongs on the budget as a line rather than an afterthought.
The ketubah was signed before the ceremony with family gathered around the table, witnessed beside the stained-glass windows in the panelled room off the main hall. Rabbi Scott Matous officiated.
The aisle was lined with crystal candelabras on pedestals and the chuppah was covered in blossom, which turns the walk into the photograph rather than just the arrival. Guests were seated close on both sides, so the room stays in frame the whole way down.
A chuppah built from blossom rather than fabric changes what the ceremony looks like from every seat. Fabric reads as a frame around the couple. Blossom reads as a canopy over them, and it lets light through, so nobody underneath is standing in their own shadow.
The floral work was by Metro Floral Designs and Fariba Secret Events: crystal candelabras the length of every table, low blush arrangements between them, and the whole room lit blue and pink so the dome reads even after the daylight has gone. That lighting is doing real work. A room this tall gives you nothing for free after dark.
The TI Fusion Band played, and the hora took the floor early. Chair lifts under a 70-foot ceiling are one of the few times that height stops being a lighting problem and becomes the point.
What stays with me about this one is the contrast. The morning happened in a loft with exposed brick and a view of water towers, and the evening happened under a stained-glass dome in a former bank. Same day, same people, two completely different buildings, and the set only works because both are in it.
Venue: Gotham Hall
Gown: Berta
Officiant: Rabbi Scott Matous
Florals: Metro Floral Designs and Fariba Secret Events
Band: TI Fusion Band
Around 9,000 square feet under a 70-foot ceiling. It is built for scale, and under roughly 150 guests it can feel like you have borrowed something too large. Ask the venue for the seated figure against your own floor plan.
Not in the way people expect. It is lit from outside by daylight, so once the sun is down it reads dark unless the room is lit to compensate. Plan the moments you want under that glass for the earlier half of the evening.
Yes. The wood-panelled rooms off the main hall are quiet, warm and completely different in character from the ballroom, and they photograph as though they are in another building.
Regularly. See how I approach Jewish wedding photography in New York City, or explore the meaning and timing of each ritual in my guide to Jewish wedding traditions.
My list of ten New York venues puts it against the others worth seeing.
Ready When You Are
Inquire NowTell me the date and the venue, and I will tell you honestly whether it works.
